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14th
IFFK Jury
International
Jury
Bahman
Ghobadi
(Chairperson) :
Started
his career in the field of Industrial photography, BahmanGhobadi
soon started making 8mm short films and
documentaries before moving on to make A Time for Drunken
Horses (1999), the first Kurdish full-feature film in the
history of Iranian cinema. His shorts had begun their worldwide
journey by the mid 1990’s, winning accolades at international
and domestic arenas. The pioneer Kurdish director from Iran
began making features after Life in Fog which is touted as
“the most famous documentary ever made in the history
of Iranian cinema.” Marooned in Iraq (2002), Daf (2003),
Turtles CanFly (2004) and Half Moon ( 2006) ensued his feature
debut and were shown at major world film festivals. His latest
film Nobody knows About the Persian Cats won the Special JuryPrize
-Un Certain Regard at Cannes 2009.
Born to a Kurdish family in Baneh, a city near the Iran-Iraq
border in the province of Kurdistan, Iran, his family had
to move to Sanandaj, the centre of Kurdistan Province in Iran,thanks
to civil disputes. Ghobadi shifted to Tehran in 1992 where
he studied BA in Film Directing from the Iranian Broadcasting
College.
Balufu
Bakupa-Kanyinda:
Poet, professor, novelist, screenwriter
and producer, Balufu Bakupa-Kanyinda is an internationally
admired Congolese director. He studied sociology, history
and philosophy in Brussels, Belgium. He was trained in cinema
in France, United Kingdom and United States. As a writer and
a poet, he signed some analysis on the African Cinema. A well
known film critic on African cinema, Balufu Bakupa has written
extensively on the representation of Blacks in western cinema
and television.
His best-known films, The Draughtsmen Clash, Article 15A,
Afro@digital and Juju Factory have all won prestigious awards
at major festivals.
Mamta
Shanker:
Mamata Shankar is an accomplished dancer,
choreographer and actress. She had her basic training in Bharatanatyam,
Manipuri and Kathakali apart from Uday Shankar style of dance
at the Uday Shankar India Culture Centre in Calcutta under
the guidance of her mother Amala Shankar. Inheriting a rare
sense of choreography from her father and following his footsteps,
Mamata started Mamata Shankar Ballet Troupe in 1978 and ‘Udayan’-
the Ballet training centre in 1986 in Calcutta. As an actor
she has worked with all the major directors of Bengali cinema
including Satyajit Ray, Mrinal Sen, Budhadev Dasgupta, Gautam
Ghosh and Rituporno Ghosh
Prassana
Vithanarge:
Prasanna Vithanage’s opus of five
previous films has made him one of Sri Lanka’s leading
filmmakers with a worldwide critical and popular reputation.
He began his career in the 1980’s as a theatre director
before setting out as a filmmaker in 1992. Vithanage also
devotes time and effort to educate and train young people
in the art and business of filmmaking. He returned to his
theatrical roots in 2006 when he wrote, directed and produced
two hugely popular Sinhala one act plays Horu Samaga Heluwen
which ran to nearly 150 performances islandwide. He has translated
and directed the works of Bernard Shaw and Dario Fo. His films
include Ice on fire (1992), Dark night of the soul (1996),
Walls Within (1997), Death on a Full Moon Day (1997), August
Sun (2003) and Akasa Kusum(2008).
Hala
Khalil:
Hala Khalil Graduated in film directing
from the Film Academy in Cairo in 1992 after a brief period
spent training to become an engineer. She made some short
films and documentaries, including: Ahbabac Ashra (2000),
Jamal al-Thaoura (1999) and Hillopolis (2002). She has also
made a TV-series titled Shabab Online. Her award winning short
film The Kite participated in many festivals, winning international
acclaim. Her critically acclaimed feature debut came in 2004,
with The Best of Times which marked the new wave of social
drama in Egyptian cinema.
NETPAC
Jury
Renhua
Na:
Renhua Na is a well known actress born
in Xilinhot, Inner Mongolia started her acting career at the
age of 13. In 1978 she joined the city of Song Dance Troupe
as a dancer and next year she rose in to fame with her first
lead role at the age of 19. After graduating from Beijing
Film Academy, she joined there as a teacher. In 1989 she joined
the British Film Institute to study direction. Renhua Na returned
home to film a documentary Nomad on the grassland nomadic
life of Mongolia. She won Golden Phoenix Award for her
performance in A Girl from Hunan (1986) and Heavenly Grassland(2002).
Season of the Horse (2005) and A Mongolian Tale (1995) are
her other films.
Fatemeh Motamedarya:
A Puppet Theatre enthusiast in her teens,
Fatemeh Motamed Arya, emerged as one of the most celebrated
actresses of Post-revolutionary Iranian cinema to win nine
best actress nominations at the Fajr International Film Festival
and lifting the Crystal Simorgh four times. She began her
acting career with Tohfeha in 1984. Her important films include
Mohsen Makhmalbaf’s Nassereddin Shah, Actor-e Cinema
(1992) and Honarpisheh (1993).
Cheran:
Cheran is a Tamil film director and
actor with a reputation for directing and producing culturally
strong films. Trained as a mechanist at ITI, Madurai, he always
nourished his dream of becoming an actor, inspired by the
legendary thespian, Sivaji Ganeshan. He shifted to Chennai,
the centre of South Indian cinema in pursuit of his dream
and joined as assistant director to K.S. Ravikumar and gradually
worked his way up to debut as a director in Bharati Kanamma.
He has twice won the National film Awards; one for Autograph
(2004) in the Most Entertaining Film category and the other
for Vetri Kodi Kattu (2000) in the category of films dealing
with social issues. He started his acting career in Solla
Marantha Kathai and did lead roles in a number of films including
Autograph, Thavamay Thavamirunthan and Aadum Koothu.
FIPRESCI
Jury
Daniela
Bisogni:
Daniela Bisogni is an Italian film critic,
journalist, screen and television writer. She has been a contributor
for over 20 years to the culture and cinema pages of major
publications including Variety and the Italian dailies: La
Stampa, Il Giornale and Libertà. Over the same period
Daniela has worked both on and off screen for the European
news channel Euronews and the Italian state television network
RAI. She is currently employed in the cultural section of
RAI’s second news channel, TG2, where she writes and
reports on cinema. Her love for film and exploration of its
multiple facets has remained as powerful throughout her career.
H
N Narahari Rao:
Author of several books and noted film
society activist H.N.Narahari Rao is the Secretary of the
Indian chapter of FIPRISCI. He is the Editor and Publisher
of FilmFocusIndia.com which is an initiative of a group of
India’s leading film critics, film society activists
and writers. He is also the artistic director of Bengalooru
International Film Festival and the Vice President of the
Federation of Film Societies in India.
Ibrahim Ouf Ibrahim Ouf is an Egyptian Film critic who writes
for “Al-Gomhouria” daily, “The Cairo”
and “El-Anwar”
Hassan
Kutty Award :
Saeed
Akhtar Mirza:
Saeed Akhtar Mirza is a pioneer of the
New Wave, progressive cinema in India. His films, including
Arvind Desai ki Ajeeb Dastaan (1978), Albert Pinto ko Gussa
Kyon Aata Hai? (1980),Mohan Joshi Haazir Ho (1984), Salim
Langde pe Mat Ro (1989) and Naseem (1995), have all won major
awards including the National Awards for film excellence in
India. He also directed the popular TV serials Nukkad (1986)
and Intezaar (1988). A graduate from the Film and Television
Institute of India (FTII), Pune, he later joined the institute
as a teacher. He has lectured widely on Indian cinema at
universities in India and the US. He contributes regularly
to Indian newspapers and magazines on current political debates
and through film reviews.
Mohan
Agashe:
Mohan Agashe is a gifted theatre artist
and a winner of the Sangit Natak Academy award. He has acted
in art and commercial movies in Marathi, Hindi, and English,
under directors like Satyajit Ray, Shyam Benegal, Gautam Ghosh,
Mira Nair, and Jabbar Patel. He also served as director of
the Film and Television Institute of India, Pune. Mohan Agashe
is also a trained psychiatrist. He started his career as an
actor with his brilliantly urbane portrayal of the machinating
Nana Phadnavis in Vijay Tendulkar‘s Ghashiram Kotwal.
He did this role for over twenty years for Theatre Academy,
Pune, of which he was a founder member.
Anjali
Menon:
Anjali Menon, a top honours graduate
from London Film School, UK, has been working on fiction and
non-fiction since 1997. Having worked on various projects
in India, in the Middle East and in the UK, Anjali Menon started
Little Films in Mumbai in 2006. Her debut film Lucky Red Seeds
(2008) received the first Hassan Kutty Memorial Award.
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